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Living and Dying after the Apology

Ellen van Neerven

9 May 2018

Larissa Behrendt’s After the Apology—released in all major centres nationally this week—is one of the most important social justice films this country has produced. Its most powerful distillation is that the systematic high-rate removal of Indigenous Australian children from their families is not over—children are actually being removed at a much higher rate since Kevin Rudd’s 2007 Apology that formally acknowledged the Stolen Generations. This is not in our past, it is in our present and future.

‘Sorry means you don’t do it again’.

Embrace Australia’s finest writers

Meanjin is open again for subscriptions! Thank you all for your patience as we’ve undertaken the transfer of the journal to its new home.

The next edition of Meanjin will be available from December 2026. Information on the purchase of single editions – in print or ePub formats – will be available closer to time.

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  • In Print
  • Online Only
    • Latest Pieces
    • Reading Trails
    • What I’m Reading
  • Read
    • The Meanjin Papers
    • Poetry
    • Essays
    • Fiction
    • Memoir
    • The Meanjin Interviews
    • Experiments
    • State of the Nation
    • The Year In…
  • Books
    • Reviews
    • Australia in Three Books
    • What I’m Reading
  • Writers
    • Interviews
  • Buy
    • Subscribe
    • Where to buy
  • News
    • Announcements
    • Events
  • About
    • About Meanjin
    • First Peoples First
    • People
    • Editorial Advisory Panel
    • Copyright and Payment
    • Partners
    • Get Involved
    • Contact
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