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‘I feel like a piece of elastic that is stretched and stretched and stretched’

Kath Kenny

27 October 2022

When I was in Melbourne at the beginning of October, I walked past where the theatre called the Pram Factory once stood. The two-story brick building was originally built as a livery stable. Over the years, it was variously a dance hall, a coke den and a panelbeaters. In the 1980s, the Pram Factory was pulled down, and the block is now a carpark for shoppers visiting Woolworths or seeing a movie at Lygon Court’s Cinema Nova.

When the Australian Performing Group moved into the Pram in 1970 and stayed for a decade, it was open-all-hours carnival. There were new Australian plays on almost every night of the week, there was a flea market downstairs on weekends, where actors searched second hand clothes stalls for costumes. In the mornings, there could be a rehearsal for street theatre that would be performed at a demonstration that afternoon. Skyhooks played one of their earliest shows there, the first tents for what would become Circus OZ were sewn in its basement.

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The next edition of Meanjin will be available from December 2026. Information on the purchase of single editions – in print or ePub formats – will be available closer to time.

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  • In Print
  • Online Only
    • Latest Pieces
    • Reading Trails
    • What I’m Reading
  • Read
    • The Meanjin Papers
    • Poetry
    • Essays
    • Fiction
    • Memoir
    • The Meanjin Interviews
    • Experiments
    • State of the Nation
    • The Year In…
  • Books
    • Reviews
    • Australia in Three Books
    • What I’m Reading
  • Writers
    • Interviews
  • Buy
    • Subscribe
    • Where to buy
  • News
    • Announcements
    • Events
  • About
    • About Meanjin
    • First Peoples First
    • People
    • Editorial Advisory Panel
    • Copyright and Payment
    • Partners
    • Get Involved
    • Contact
    • Privacy
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