Meanjin

The Finest New Writing in Australia

Your account

Sign in
  • In Print
  • Online Only
    • Latest Pieces
    • Reading Trails
    • What I’m Reading
  • Read
    • The Meanjin Papers
    • Poetry
    • Essays
    • Fiction
    • Memoir
    • The Meanjin Interviews
    • Experiments
    • State of the Nation
    • The Year In…
  • Books
    • Reviews
    • Australia in Three Books
    • What I’m Reading
  • Writers
    • Interviews
  • Buy
    • Subscribe
    • Where to buy
  • News
    • Announcements
    • Events
  • About
    • About Meanjin
    • First Peoples First
    • People
    • Editorial Advisory Panel
    • Copyright and Payment
    • Partners
    • Get Involved
    • Contact
    • Privacy
  • Search

Making Your Fortune: Zora Sanders Talks to Eleanor Catton

Winter 2014

Zora Sanders

When New Zealand writer Eleanor Catton won the Man Booker Prize in 2013, she became the youngest-ever author of the longest-ever book to take out the literary world’s top award. This double record-breaking achievement might have overshadowed a lesser author, but not Catton, who is as assured and eloquent in discussion as her astonishing novel The Luminaries. The novel has drawn attention for its beautifully realised characters and vivid setting, as well as for the intricately plotted narrative that draws heavily on the zodiac for its elaborate structure. This structure is integral to the novel, but largely invisible for anyone whose knowledge of the zodiac is less encyclopaedic than Catton’s. Her familiarity with the novel’s historical setting, the gold rush town of Hokitika on the West Coast of the South Island of New Zealand, is no less impressive and I began by asking her about the many attractions of this setting for a novelist.

Zora Sanders: I want to ask you about the attraction of the gold-rush-town setting for The Luminaries. I can’t imagine why anyone would set a novel not in a nineteenth-century gold-rush town, because it’s obviously the best setting you could possibly choose, but what was it about that setting that attracted you?

Embrace Australia’s finest writers

Meanjin is open again for subscriptions! Thank you all for your patience as we’ve undertaken the transfer of the journal to its new home.

The next edition of Meanjin will be available from December 2026. Information on the purchase of single editions – in print or ePub formats – will be available closer to time.

To stay in touch with our latest news, please sign up here.

Essays

Why I Write What I Write
Gerald Murnane
The Iceberg of Translation
Tiffany Tsao
My Head is a Camera
Steve MinOn
Elizabeth Jolley: An Appreciation
Helen Garner

Search Meanjin

Most Recent Edition

Search Meanjin

Site by Madeleine Egan

  • In Print
  • Online Only
    • Latest Pieces
    • Reading Trails
    • What I’m Reading
  • Read
    • The Meanjin Papers
    • Poetry
    • Essays
    • Fiction
    • Memoir
    • The Meanjin Interviews
    • Experiments
    • State of the Nation
    • The Year In…
  • Books
    • Reviews
    • Australia in Three Books
    • What I’m Reading
  • Writers
    • Interviews
  • Buy
    • Subscribe
    • Where to buy
  • News
    • Announcements
    • Events
  • About
    • About Meanjin
    • First Peoples First
    • People
    • Editorial Advisory Panel
    • Copyright and Payment
    • Partners
    • Get Involved
    • Contact
    • Privacy
  • Search