Footy: the Season of Love, Faith and Agony
Matthew Klugman
October 29
It hardly needs to be said that Australian Rules Football is a sport of manias. From the very first pre-season matches to the wintery day of the Grand Final, fans will run the full gamut of emotions – agony, violence, madness, pity and euphoria. In the September edition of Meanjin, Matthew Klugman, whose book Passion Play: Love, Hope and Heartbreak at the Footy has just been released by Hunter Publishers, takes a closer look the sport’s seasonal rhythms, following fans and their stories in an attempt to determine what exactly it is about AFL that drives us to the brink. A brief extract is below. Have a look at the full essay on our editions page.
Spring. It’s a word that conjures up images of a new beginning; blossoms unfurling, buds opening, sap quickening, rebirth. But in Australia the transition into spring never seems as clear and the trees hang onto their leaves all year. Wattles break out into cascades of yellow in the depths of winter. And spring heralds the end of a different type of season. A season that, like the weather, regulates the rhythms of life of so many Australians: the footy season. For September, the first month of spring, is finals time. And this brings a different kind of quickening, a crescendo that builds to the last Saturday in September: the grand final. This is a day that strikes people across Australia with ‘a strange infirmity’ as Manning Clark put it.[1] A day where football brings trauma and ecstasy in equal measure such that for a few hours, it seems like nothing else matters.
If you think there’s something strange about all this, you’re right. There’s something about Aussie rules footy is too much, that drives people to the edge of sanity. It produces suffering and joy, and an insatiable hunger for more. You can hear it in the roar of the crowd, in the thunders of triumph, the cries of distress, the howls of frustration and in the continual cycle of pleas, curses and cheers. It is there in the bodies that ride the game with the players: fists clenching, legs trembling, guts churning, eyes that long to look away but cannot.
Mad, fevered, obsessed, fanatical, addicted. These are just a few of the words routinely invoked to describe Aussie rules barrackers by critics and fans. It’s as if the strange passions of footy followers are pathological. And perhaps they are. For barracking is grounded in love. And love is the emotion most associated with excess—with extravagant devotion, extremes of trust and paranoia, and crimes of passion when it all goes wrong.
Yet footy followers are not driven mad by a single love. They are driven mad by a series of intertwined loves. First, there is the love that footy devotees freely name: the love of the club. This is an infatuation that binds fans to their club. It somehow leads barrackers to feel they are part of the club and that what happens to the club happens to them. This is a love of belonging: the club becomes a higher self, something that represents fans and connects them to the players (who are loved, and sometimes hated, in turn), so that every result is taken personally and fans are driven to comments such as ‘we had a very good year’, ‘they absolutely destroyed us’, and ‘I hope we smash them’.
This imagined connection to the beloved club might seem bizarre enough, a naive union or a grand illusion. But there is a second type of love at play that lends a dynamic, intense and sometimes explosive character to the lives of footy followers. This is the love of the premiership. Not a unifying love, it is the lust for something that seems missing, the lack of which is all consuming. It’s a love that inspires a quest. Like the Lady wooed in the tales of courtly love, the premiership cup gleams with promise, tantalising fans with the possibility of an ultimate fulfilment at once familiar and forever out of reach. Obstacles are important, challenges essential, for the thrill lies as much in the chase of something that only the very best can win. But such pursuit comes at a cost, as the historian Denis de Rougemont explains:
Happy love has no history … What stirs lyrical poets to their finest flights is neither the delight of the senses nor the fruitful contentment of the settled couple; not the satisfaction of love, but its passion. And passion means suffering. There we have a fundamental fact.[2]
The result is a seasonal cycle of anticipation and nerves, tension and release. All of which usually ends in a loss of some kind when the beloved club either crashes out of the finals after a defeat, or worse still, misses the finals altogether. Yet this recipe for suffering is also a recipe for excitement, dreams and fears. And the coming of the finals ramps this up a notch for those lucky enough to follow one of the clubs to have made it this far.
Notes:
1. Manning Clark, ‘An Entire Nation Stricken with a Strange Infirmity’, in Fitzgerald and Spillman, p. 226. Back to article
2. Denis de Rougemont, Passion and Society, trans. Montgomery Belgion, Faber, London, 1956, p. 15. Back to article
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